1,054 Royalty-Free Audio Tracks for "Augmented Seventh Chords"

*Hundred-twenty-first harmonic on C = B↑↑♭-. Just: 121:64 = 1102.64 cents. Equal-tempered: 210/12:1 = 1000 cents. Limit: 11-limit. MIDI pitch bend: 108,64

*Hundred-seventeenth harmonic on C = B♭. Just: 117/64 = 1044.44 cents. Equal-tempered: 28/12:1 = 800 cents. Limit: 13-limit. MIDI pitch bend: 28,78

*Two-hundred-thirty-first harmonic on C = B↑♭. Just: 231/128 = 1022.10 cents. Limit: 11-limit. MIDI pitch bend: 9,71

*Lesser undecimal neutral seventh on C = B↓ (Ben Johnston's notation). 20:11 = 1035 cents. Limit: 11-limit.

Quarter-comma meantone major chord on C.

A Hard Day's Night opening chord: F9. Created by Hyacinth (talk) 03:11, 14 September 2012 (UTC) using Sibelius 5.

*6859rd harmonic on C = B. Just: 4/12 = 892.54 cents. Limit: 19-limit. MIDI pitch bend: 78,61

*19-limit seventh tone on C = C (Ben Johnston's notation). Just: 57/56 = 30.64 cents. Limit: 19-limit. MIDI pitch bend: 103,73

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

The chord of E major played on an acoustic guitar. El acorde de E major toca en una guitarra acoustica.

*Just augmented sixth on C = A♯. 125:72 = 955.03 cents. Limit: 5-limit. MIDI pitch bend: 78,49

*Just augmented seventh (125th harmonic) on C = B♯+++. 125:64 = 1158.94 cents. Limit: 5-limit. MIDI pitch bend: 110,50

C triad open position.

Suggestion of bitonality in Beethoven's Sonata in E♭ for Piano, Op. 8la.

Dominant form chord: Diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.

VII-I cadence in C major. Created by Hyacinth (talk) 14:28, 10 March 2011 (UTC) using Sibelius 5. GFDL-self

Dominant form chord: Diminished seventh leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Eb major triad, MIDI file

En I-ii7-V7-I-progression, sedan med V7 tritonussubstituerad

Dominant 9th chord from "Hommage a Rameau" by Claude Debussy.

The opening eleven note chord from Aaron Copland's Inscape, without orchestration shown.

V of V in C, on guitar.

Violoncello chord on G

C-F-B Synthetic chord

Tritone substitution. F♯7 may substitute for C7, and vice versa, because they both share E♮ and B♭/A♯ and due to voice leading considerations.

Minor triad on C

Tonic and dominant in C. C major and G major chords.

Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.

*Neutral seventh on C = B. Equal-tempered: 21050/1200=21/24:1 = 1050 cents. MIDI pitch bend: 0,80 Preceded by:

Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.

Bridge chord, named after en:Frank Bridge. Major chord with a minor chord a semitone above. Chord pictured followed by arpeggio with Db minor at the octave.

Beta scale minor triad on C. MIDI pitch bend appears to match intervals.

Northern Lights chord. Created by Hyacinth (talk) 16:19, 2 October 2010 using Sibelius 5.

C6add9 chord.

Borrowed chord (viio) in Mozart K. 576, II: Adagio, mm.13-16.

The chord of B major played on an acoustic guitar. El acorde de B major toca en una guitarra acoustica.

Tritone substitution (for V) notated as Italian sixth.

5 7 9 chord on E, eight steps in the octave. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include eight steps in the octave, based on 5:7:9 and of which only the just version would be used. Traditional notation: E B♭ D.

La Monte Young's magic chord. Tuned from E = 1/1.Gann, Kyle (1997). "La Monte Young's The Well-Tuned Piano", La Monte Young Web Page.

Major triad on F in second inversion

D chord in drop D tuning.

Cesar Franck Violin Sonata in A major, opeing bars

Major triad on F in first inversion

12-1 (chromatic) dodecachord on C

Harmonized C major scale.

Dominant and dominant parallel in C minor: Gm and BM chords.

Major triad on C in second inversion.

DSp in C major.

Iidim6 chord in C.